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Articles tagged with: recording

Written By:  on February 8, 2010 2 Comments

In Part 1 we covered microphone positions. In this article we will cover mixdown tracks. This is seen by some as the most difficult part of the recording process, because it usually last no longer than until the tracks start to mix the tracks.

Especially when you mix on the track when you received your instruments and vocals much as I do in my studio, using only microphones, and possibly a preamp for the mics. This is the way I like to recordmuch of the music in my studio, because I'm using ProTools and use the plug-ins during the mix down phase. If you are not with ProTools (or other computer based multi-recorder), but a modern multi-track recorder, I would recommend that in addition to the advantages and the microphones a good compressor during the recording phase.

Written By:  on February 8, 2010 6 Comments

It is important that the final edited podcast excellent broadcast quality, or your audience will be quickly lose patience and stop listening, which is on course to win all future audience you are trying to impact. Against this backdrop, the host environment, "managed" more than normal, that your listeners hear do to fight for your podcast. Digital Recorder a far superior sound quality of the produce, when used with an external microphone connected in a quietEnvironment. However, there are a few guidelines that may be useful to consider before, during and after your podcast is to win, what made you maximize your recording, cut on transcription costs and make the task much easier typist!

Written By:  on February 1, 2010 No Comment

It All Starts With You

Experimentation in the studio can do a lot of fun with many exciting things. If you get all the variables just right, they can inspire your game. Of course, even if you have a big microphone in a large room and go through the best equipment, you can not sound too good if you have a terrible sound out of your horn. Therefore, it is important to take the time to learn the fundamentals before theyHeading into the recording studio.

Written By:  on January 31, 2010 No Comment

Cakewalk's Mobile Studio Canvas for Mac, PC, standalone and performance is the first of its kind in the Cakewalk hardware family. With a production capacity of over 1000 sounds, the Mobile Studio Canvas includes the Roland SD-50 sound module, new GM (General MIDI) 2, and Roland's solo sounds sounds designed. Equipped with a USB memory drive that can studio canvas MP3, WAV, AIFF playback and MIDI files without a computer. Its a 2-in/2-out audio interface, and a 1×1 MIDI interface that ships with SONAR8.5 LE recording software (Windows only), ideal tool for musicians looking for a multi-purpose sound source and / or playback.

Written By:  on January 27, 2010 No Comment

Building a home recording studio needs money, time and passion. You can easily spend thousands of dollars amassed the equipment and software you need while you also have at least one room of your home, to devote the cause. Add angered neighbors and permanent deflection of the mix and you have several good reasons not to have a home recording studio. So choose, why so many people to add them to their homes? Simply put, the benefitsoutweigh the disadvantages.

Written By:  on January 23, 2010 One Comment

Do you want your band or solo project home record to a CD for friends, family, or maybe just a jam band-making project? You have a computer and have already decided that you would be better to start receiving the devices from your computer. Read the article right then, my friend. I have recorded music for a home studio 15 years and offer all types of recorders from DAT machines, the hard disk with multiple tracks, to computerWorkstations.

Some typical questions which are one in the decision:

What about the impact?
How do I connect my guitar or blender on my computer?

Written By:  on January 14, 2010 One Comment

When it comes to the recording studio business, you have a lot of competition. Unfortunately, if you are working from a small facility (or home), your competitors are probably much larger professional studios. Do not worry - this does not mean you are doomed to failure. You only need to be on the quantity of opportunities for local musicians. Using some outside the box promotional techniques, The Tipping Point, if it is about spreading the word, you can guarantee your> Studio.

Written By:  on January 12, 2010 One Comment

So you've decided to buy a studio microphone? The first idea, I'd like to shoot down is the "Studio Microphone myth." There is no such thing as a studio microphone. A microphone will pickup sound anywhere you it. It does not have a recording studio. It can be a kitchen. Granted, some microphones are used less durable than others and these mics tend to come more in the studio than on stage simply because everything abusedlive.

Written By:  on January 2, 2010 31 Comments

Find out how a control room for a professional recording studio in this free how-to video-clip design. Expert: Matt Bodi Contact: www.upallnightpro.com Bio: Matt Bodi is a music producer and owner of Up All Night Productions, a professional recording studio with locations in Miami and New York City. Director: Paul Mueller

http://www.youtube.com/watch?v=Oqqk8qbK7zE&hl=en

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